Little Journeys to the Homes of the Great - Volume 04 - Little Journeys to the Homes of Eminent Painters by Elbert Hubbard
page 30 of 267 (11%)
page 30 of 267 (11%)
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naturally married the daughter of a baker.
All of Mr. Harmen Gerritsz's customers called him Harmen, and when they wished to be exact they spoke of him as Harmen van Ryn--that is to say, Harmen of the Rhine, for his mill was near the river. "Out West," even now, if you call a man Mister, he will probably inquire what it is you have against him. Mr. and Mrs. Harmen lived in the mill, and as years went by were blessed with a nice little family of six children. The fifth child is the only one that especially interests us. They named him Rembrandt. Rembrandt Harmenszoon van Ryn, he called himself when he entered at the grammar-school at Leyden, aged fourteen. His father's first name being Harmen, he simply took that, and discarded the Gerrit entirely, according to the custom of the time. In fact, all our Johnsons are the sons of John, and the names Peterson, Thompson and Wilson, in feudal times, had their due and proper significance. Then when we find names with a final ending of "s," such as Robbins, Larkins and Perkins, we are to understand that the owner is the son of his father. And so we find Rembrandt Harmenszoon in his later years writing his name Harmensz and then simply Harmens. Mynheer Harmen Gerritszoon's windmill ground exceeding small, and the product found a ready market. There were no servants in the miller's family--everybody worked at the business. In Holland people are industrious. The leisurely ways of the Dutch can, I think, safely be ascribed to their environment, and here is an argument Buckle might have inserted in his great book, but did not, and so I will write it down. |
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