Little Journeys to the Homes of the Great - Volume 04 - Little Journeys to the Homes of Eminent Painters by Elbert Hubbard
page 40 of 267 (14%)
page 40 of 267 (14%)
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beer-garden grew aweary and rapped their glasses on the table as a signal
for silence. Swanenburch had given a public exhibition of the work of his pupils, at which young Rembrandt had been pushed forward as an example of what right methods in pedagogics could do. "Well, why can not all your scholars draw like that, then?" asked a broad-beamed Dutchman. "They certainly could, if they would follow the principles I lay down," answered the master severely. But admiration did not spoil Rembrandt. His temperature was too low for ebullition--he took it all quite as a matter of course. His work was done with such ease that he was not aware it was extraordinary in quality; and when Swanenburch sold several of his sketches at goodly prices and put the silver in the lad's hand, he asked who the blockheads were who had invested. Swanenburch taught his pupils the miracle of spreading a thin coat of wax on a brass plate, and drawing a picture in the wax with a sharp graver; then acid was poured over it and the acid ate into the brass so as to make a plate from which you could print. Etching was a delight to Rembrandt. Expert illustrators of books were in demand at Leyden, for it was then the bookmaking center of Northern Europe. The Elzevirs were pushing the Plantins of Antwerp hard for first place. So skilfully did Rembrandt sketch, that one of the great printers made a proposition to his father to take the boy until he was twenty-one, and |
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