an entrance. It was only invented in 1840, and derived beyond a doubt
from the agglomeration of such swallows' nests about the Church of Our
Lady of Loretto. This information is for etymoligists only. Those
gentlemen would not be so often in a quandary if mediaeval writers had
only taken such pains with details of contemporary manners as we take
in these days of analysis and description.

Mlle. Turquet, or Malaga, for she is better known by her pseudonym
(See _La fausse Maitresse_.), was one of the earliest parishioners of
that charming church. At the time to which this story belongs, that
lighthearted and lively damsel gladdened the existence of a notary
with a wife somewhat too bigoted, rigid, and frigid for domestic
happiness.

Now, it so fell out that one Carnival evening Maitre Cardot was
entertaining guests at Mlle. Turquet's house--Desroches the attorney,
Bixiou of the caricatures, Lousteau the journalist, Nathan, and
others; it is quite unnecessary to give any further description of
these personages, all bearers of illustrious names in the _Comedie
Humaine_. Young La Palferine, in spite of his title of Count and his
great descent, which, alas! means a great descent in fortune likewise,
had honored the notary's little establishment with his presence.

At dinner, in such a house, one does not expect to meet the
patriarchal beef, the skinny fowl and salad of domestic and family
life, nor is there any attempt at the hypocritical conversation of
drawing-rooms furnished with highly respectable matrons. When, alas!
will respectability be charming? When will the women in good society
vouchsafe to show rather less of their shoulders and rather more wit
or geniality? Marguerite Turquet, the Aspasia of the Cirque-Olympique,