Dreamthorp - A Book of Essays Written in the Country by Alexander Smith
page 23 of 224 (10%)
page 23 of 224 (10%)
|
if he escapes being called a coxcomb. If a man speaks of death--tells
you that the idea of it continually haunts him, that he has the most insatiable curiosity as to death and dying, that his thought mines in churchyards like a "demon-mole"--no one is specially offended, and that this is a dull fellow is the hardest thing likely to be said of him. Only, the egotism that overcrows you is offensive, that exalts trifles and takes pleasure in them, that suggests superiority in matters of equipage and furniture; and the egotism is offensive, because it runs counter to and jostles your self-complacency. The egotism which rises no higher than the grave is of a solitary and a hermit kind--it crosses no man's path, it disturbs no man's _amour propre_. You may offend a man if you say you are as rich as he, as wise as he, as handsome as he. You offend no man if you tell him that, like him, you have to die. The king, in his crown and coronation robes, will allow the beggar to claim that relationship with him. To have to die is a distinction of which no man is proud. The speaking about one's self is not necessarily offensive. A modest, truthful man speaks better about himself than about anything else, and on that subject his speech is likely to be most profitable to his hearers. Certainly, there is no subject with which he is better acquainted, and on which he has a better title to be heard. And it is this egotism, this perpetual reference to self, in which the charm of the essayist resides. If a man is worth knowing at all, he is worth knowing well. The essayist gives you his thoughts, and lets you know, in addition, how he came by them. He has nothing to conceal; he throws open his doors and windows, and lets him enter who will. You like to walk round peculiar or important men as you like to walk round a building, to view it from different points, and in different lights. Of the essayist, when his mood is communicative, you obtain a full picture. You are made his contemporary and familiar friend. You enter into his humours and his seriousness. You are made |
|