An Alabaster Box by Florence Morse Kingsley;Mary Eleanor Wilkins Freeman
page 159 of 320 (49%)
page 159 of 320 (49%)
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Her eyes were solemn, beseeching, compelling.
His anger died suddenly, leaving only a sort of indignant pity for her unfriended youth. "You are--" he began, then stopped short. A painter was swiftly descending his ladder, whistling as he came. "My name," she said, without appearing to notice, "is Lydia Orr Bolton. No one seems to remember--perhaps they didn't know my mother's name was Orr. My uncle took me away from here. I was only a baby. It seemed best to--" "Where are they now?" he asked guardedly. The painter had disappeared behind the house. But he could hear heavy steps on the roof over their heads. "Both are dead," she replied briefly. "No one knew my uncle had much money; we lived quite simply and unpretentiously in South Boston. They never told me about the money; and all those years I was praying for it! Well, it came to me--in time." His eyes asked a pitying question. "Oh, yes," she sighed. "I knew about father. They used to take me to visit him in the prison. Of course I didn't understand, at first. But gradually, as I grew older, I began to realize what had happened--to him and to me. It was then I began to make plans. He would be free, sometime; he would need a home. Once he tried to escape, with some |
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