braves as they leave in the direction of the river when the scene ends.

DANCES. At the place indicated in the scene, the Indian maidens give
one or more characteristic Indian dances. "The Blanket Dance," one of
the most widely known and picturesque of the Indian dances, follows
somewhat the lines of a Virginia Reel. The Indian maidens stand in a
line facing each other, their blankets wrapped about them. The head
couple, facing each other, spread wide their blankets behind them like
great butterfly wings. Then they dance forward and back, forward and
back, beckoning, retreating, gesturing, and finally dance off, with one
blanket wrapped about two pairs of shoulders. Then the next couple, and
so on. All sorts of fantastic steps, gestures, bendings, and swayings
can be introduced. A wide space should be left between the dancers, so
that all they do can be clearly seen. Dancing in great circles, like a
mild war-dance, yet without the whoops and wild gestures of the latter,
is another form that lends itself to the out-of-doors. Another dance is
the Eagle Dance; with arms spread wide, holding their blankets at
wing-like angles, the dancers circle about each other, the dance
growing wilder and wilder. Still another dance is the symbolical one of
the Four Winds--North, South, East, West--done by four Indian maidens.
The South Wind gentle and swaying; the West Wind fantastic, with arms
upraised; the East Wind with streaming hair and rain-drops shining on
finger tips; the North Wind wilder than them all, and finally driving
them all before her.

MUSIC. Piano: MacDowell's "An Indian Idyl," "From an Indian Lodge."
These can be had orchestrated. For a band: "Tomahawk Dance," by Andrew
Herman. "Indian War Dance," by Bellstedt. "The Sun Dance," by Leo
Friedman.