feathers. Next a young brave, who, standing alone a moment, tries the
taut string of his bow. Next an Indian maid, with a basket poised on
her head. Then two young braves with fish slung on a pole between them.
Then a group of Indian maidens. An Indian child or two. A squaw with
fagots on her back. Another with a papoose. Then two Indians with a
canoe, representing the portage of a canoe. Then a final group of young
braves. The music, which begins as the chief passes, continues
throughout the procession until the last Indian has passed, then ebbs
and dies, growing fainter and fainter, till it ceases. Mac-Dowell's
"From an Indian Lodge" is suitable for this.



THE COMING OF THE WHITE MAN: TABLEAU

This tableau represents a woodland scene, and is supposed to symbolize
the coming of the Norseman. A young Indian brave, with skins about his
shoulders and hips, his black hair flying, his brown arms barbarically
braceleted, stands poised, listening, and looking at a spot where the
Norsemen are supposed to be making a landing, off stage. With one hand
he shields his eyes. With the other he holds his bow. The tableau
should suggest the wild freedom of an untamed spirit. For music, some
bars of Grieg's Norse airs.



PRINCESS POCAHONTAS

For this pageant episode see page 12 of the Outdoor Arrangement of the
Pageant of Patriots.