Animal Carvings from Mounds of the Mississippi Valley - Second Annual Report of the Bureau of Ethnology to the - Secretary of the Smithsonian Institution, 1880-81, - Government Printing Office, Washington, 1883, pages 117-166 by Henry W. (Henry Wetherbee) Henshaw
page 19 of 64 (29%)
page 19 of 64 (29%)
|
the tablet. In Short's engraving, while the front side corresponds
closely with the same view given by Squier and Davis, there is a notable difference observable on the reverse side. For the formless depression of the Squier and Davis cut not only occupies a somewhat different position in relation to the top and sides of the tablet, but, as will be seen by reference to the figure, it assumes a distinct form, having in some mysterious way been metamorphosed into a figure which oddly enough suggests the manatee. It does not appear that the attention of archæologists has ever been directed to the fact that such a resemblance exists; nor indeed is the resemblance sufficiently close to justify calling it a veritable manatee. But with the aid of a little imagination it may in a rude way suggest that animal, its earless head and the flipper being the most striking, in fact the only, point of likeness. Conceding that the figure as given by Short affords a rude hint of the manatee, the question is how to account for its presence on this the latest representation of the tablet which, according to Short, Mr. Guest, its owner, pronounces "the first correct representations of the stone." The cast of this tablet in the Smithsonian Institution agrees more closely with Short's representation in respect to the details mentioned than with that given in the "Ancient Monuments." Nevertheless, if this cast be accepted as the faithful copy of the original it has been supposed to be, the engraving in Short's volume is subject to criticism. In the cast the outline of the figure, while better defined than Squier and Davis represent it to be, is still very indefinite, the outline not only being broken into, but being in places, especially toward the head, indistinguishable from the surface of the tablet into which it insensibly grades. In the view as found in Short there is none of this irregularity and indefiniteness of outline, the figure being perfect and standing out clearly as though just from the sculptor's hand. As perhaps on the whole the nearest approach to the |
|