Arts and Crafts in the Middle Ages - A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance by Julia de Wolf Gibbs Addison
page 282 of 344 (81%)
page 282 of 344 (81%)
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bear the burden of them!"
The work of each scriptorium was devoted first to the completion of the library of the individual monastery, and after that, to other houses, or to such patrons as were rich enough to order books to be transcribed for their own use. The library of a monastery was as much a feature as the scriptorium. The monks were not like the rising literary man, who, when asked if he had read "Pendennis" replied, "No--I never read books--I write them." Every scribe was also a reader. There was a regular system of lending books from the central store. A librarian was in charge, and every monk was supposed to have some book which he was engaged in reading "straight through" as the Rule of St. Benedict enjoins, just as much as the one which he was writing. As silence was obligatory in the scriptorium and library, as well as in the cloisters, they were forced to apply for the volumes which they desired by signs. For a general work, the sign was to extend the hand and make a movement as if turning over the leaves of a book. If a Missal was wanted, the sign of the cross was added to the same form; for a Gospel, the sign of the cross was made upon the forehead, while those who wished tracts to read, should lay one hand on the mouth and the other on the stomach; a Capitulary was indicated by the gesture of raising the clasped hands to heaven, while a Psalter could be obtained by raising the hands above the head in the form of a crown. As the good brothers were not possessed of much religious charity, they indicated a secular book by scratching their ears, as dogs are supposed to do, to imply the suggestion that the infidel who wrote such a book was no better than a dog! This extract is made from a book in one of the early monastic libraries. |
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