Tea-Cup Reading and Fortune-Telling by Tea Leaves, by a Highland Seer by Unknown
page 6 of 50 (12%)
page 6 of 50 (12%)
![]() | ![]() |
|
Here the taint of a money-payment is altogether absent; and no Highland
'spae-wife' or seer would dream of taking a fee for looking into the future on behalf of another person. It follows, therefore, that provided he or she is equipped with the requisite knowledge and some skill and intuition, the persons most fitted to tell correctly their own fortune are themselves; because they cannot pay themselves for their own prognostications, and the absence of a monetary taint consequently leaves the judgment unbiased. Undoubtedly one of the simplest, most inexpensive and, as the experience of nearly three centuries has proved, most reliable forms of divination within its own proper limits, is that of reading fortunes in tea-cups. Although it cannot be of the greatest antiquity, seeing that tea was not introduced into Britain until the middle of the seventeenth century, and for many years thereafter was too rare and costly to be used by the great bulk of the population, the practice of reading the tea-leaves doubtless descends from the somewhat similar form of divination known to the Greeks as "_κοÏαβοÏ_" by which fortune in love was discovered by the particular splash made by wine thrown out of a cup into a metal basin. A few spae-wives still practise this method by throwing out the tea-leaves into the saucer, but the reading of the symbols as they are originally formed in the cup is undoubtedly the better method. Any person after a study of this book and by carefully following the principles here laid down may with practice quickly learn to read the horary fortunes that the tea-leaves foretell. It should be distinctly understood, however, that tea-cup fortunes are only horary, or dealing with the events of the hour or the succeeding twenty-four hours at furthest. The immediately forthcoming events are those which cast their shadows, so to speak, within the circle of the cup. In this way the |
|