to hazard this liberty, especially when we enter upon parts the natural
fertility of which does not allow the liberty of expression to be
noticed amidst the luster spread about it.

The style of the exordium ought not to be like that of the argument
proper and the narration, neither ought it to be finely spun out, or
harmonized into periodical cadences, but, rather, it should be simple
and natural, promising neither too much by words nor countenance. A
modest action, also, devoid of the least suspicion of ostentation, will
better insinuate itself into the mind of the auditor. But these ought to
be regulated according to the sentiments we would have the judges imbibe
from us.

It must be remembered, however, that nowhere is less allowance made than
here for failing in memory or appearing destitute of the power of
articulating many words together. An ill-pronounced exordium may well
be compared to a visage full of scars, and certainly he must be a bad
pilot who puts his ship in danger of sinking, as he is going out of
port.

In regard to the length of the exordium, it ought to be proportionate to
the nature of the cause. Simple causes admit of a shorter exordium; the
complex, doubtful, and odious, require a longer exordium. Some writers
have prescribed four points as laws for all exordiums,--which is
ridiculous. An immoderate length should be equally avoided, lest it
appear, as some monsters, bigger in the head than in the rest of the
body, and create disgust where it ought only to prepare.


"TYING UP" THE INTRODUCTION