For Every Music Lover - A Series of Practical Essays on Music by Aubertine Woodward Moore
page 22 of 142 (15%)
page 22 of 142 (15%)
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that cannot without preparation reach the uncultured classes is
denounced by him. He is most bitter in his denunciation of Wagner, who fought for a democratic art, but who wished to attain it by raising the lowliest of his fellow-creatures to an ever loftier plane of high thinking and feeling. According to Tolstoi, art began to degenerate when it separated itself from religion. There must have been dense mist before the Russian sage's mental vision when he fancied this separation possible. Art, especially musical art, is a vital part of religion, and cannot be put asunder from it. Like thought, music, since the bonds of church and state have been broken, has spread wide its pinions and soared to hitherto unsuspected heights. All noble music is sacred. Amid the marvelous material progress of to-day music is more needed than ever. Unburdened by the responsibility of fact, it brings relief to the soul from the grinding pressure of constant grappling with knowledge. The benefits of knowledge are great, but it is also beneficial to be uplifted, as we may be by music, from out the perplexing labyrinth of the work-a-day world toward the realm of the Divine Ideal. As a means of culture music is a potent factor in human civilization. It is destined to wield even greater influence than has yet been known. It has become the household art of to-day. As it enters more and more fully into the heart of the home and social life it will more and more enrich human existence and aid in ushering in the Kingdom of Heaven on Earth. If music can do so much for mankind, why are not all musicians great and good? Ah, my friend, that is a hard question to answer, and can only be fairly treated by asking another equally difficult question: Why are not |
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