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For Every Music Lover - A Series of Practical Essays on Music by Aubertine Woodward Moore
page 33 of 142 (23%)
attain in a few months what they are doomed to discover would take years
to accomplish, and cannot fail to suffer for the blunder. Many of them
return home disappointed in their aims, and ruined in health. Many of
them are stranded in strange lands. A crusade should be started against
indiscriminate going abroad for music study, without thorough
preparation in every respect.

The fact is, a free, true, fearless hero, such as Wagner found in his
Siegfried, is needed to slay, with his invincible sword, the dragon of
sordid materialism, and awaken the slumbering bride of genuine art. A
storm-god is wanted to swing his hammer and finally dissipate the
clouds that obscure the popular vision. Some one has called for a plumed
knight at the literary tournament, with visor down, lance in hand,
booted and spurred for the fight with prevalent errors. One is equally
needed at the musical tournament.




III

The Musical Education That Educates


There is a musical education that educates, a musical education that
refines, strengthens, broadens the character and the views, that ripens
every God-given instinct and force. It arouses noble thoughts and lofty
ideals; it quickens the perceptions, opening up a world of beauty that
is closed to the unobservant; it bears its fortunate possessor into a
charmed atmosphere, where inspiring, elevating influences prevail. Its
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