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Tales from the Hindu Dramatists by R. N. Dutta
page 13 of 143 (09%)
As he is waiting for the queen, his desire for Urvasi is awakened again.
On a sudden, Urvasi enters on a heavenly car, accompanied by his friend.
They are invisible to the king as on the previous occasion. The moment
that Urvasi is about to withdraw her veil, the queen appears. She is
dressed in white, without any ornaments, and comes to propitiate her
husband, by taking a vow.

Then she, calling upon the god of the moon, performs her solemn vow and
retires.

Urvasi, who is present, though in an invisible state, during this scene
of matrimonial reconciliation, now advances behind the king and covers
his eyes with her hands. The king says:--

"It must be Urvasi; no other hand could shed such ecstasy through my
emaciated frame. The solar rays do not wake the night's fair blossom;
that alone expands when conscious of the moon's dear presence."

She takes the resignation of the queen in good earnest and claims the
king as granted her by right. Her friend takes leave and she now remains
with the king as his beloved wife in the groves of a forest.

Subsequently the lovers are wandering near Kailasa, the divine mountain,
when Urvasi, in a fit of jealousy, enters the grove of Kumara, the god
of war, which is forbidden to all females. In consequence of Bharat's
curse she is instantly metamorphosed into a creeper. The king beside
himself with grief at her loss, seeks her everywhere. The nymphs in a
chorus deplore her fate. Mournful strains are heard in the air.

The king enters a wild forest, his features express insanity, his dress
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