History of English Humour, Vol. 1 (of 2) - With an Introduction upon Ancient Humour by Alfred Guy Kingan L'Estrange
page 11 of 321 (03%)
page 11 of 321 (03%)
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beauty poured out over the whole creation. But what a rough, unsightly
sketch of Nature should we be entertained with, did all her colouring disappear, and the several distinctions of light and shade vanish! In short, our souls are delightfully lost and bewildered in a pleasing delusion, and we walk about like the enchanted hero of a romance, who sees beautiful castles, woods, and meadows, and at the same time hears the warbling of birds and the purling of streams; but upon the finishing of some secret spell, the fantastic scene breaks up, and the disconsolate knight finds himself on a barren heath, or in a solitary desert." I have introduced these considerations, because it is very difficult for us to realize that what we behold is merely phenomenal, that "Things are not what they seem;" but that we are looking into the mirror of Nature at our own likeness. When we speak of a ludicrous occurrence, we cannot avoid thinking that the external events themselves contain something of that character. Thus, the ludicrous has come in our ideas and language to be separated from the sense in which alone it exists, and it is desirable that we should clearly understand that the distinction is only logical and not real. When the cause of our laughter--be it mind, matter, or imaginary circumstance--is merely regarded as something incongruous and amusing, we name it the ludicrous, and a man is called ludicrous as faulty or contemptible. But when the cause of it is viewed as something more than this, as coming from some conscious power or tendency within us--a valuable gift and an element in our mental constitution--we call it |
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