History of English Humour, Vol. 1 (of 2) - With an Introduction upon Ancient Humour by Alfred Guy Kingan L'Estrange
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page 16 of 321 (04%)
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owing to his superior faculties in this respect that he holds his place
so high above the rest of creation. Orators, who make it their study to be impressive, give full importance to every kind of expression, and say that a man should be able to make his meaning understood, even when his voice is inaudible. It has been lately discovered that the mere movement of the lips alone, without sound, is sufficient to convey information.[2] Facial expression has been given us as a means of assisting communication, and smiles and laughter have become the distinctive manifestations of humour. Thus the electric spark passes from one to another, and the flashing eye and wreathed lip lights up the world. Profit also accrues--fear of being laughed at leads us to avoid numerous small errors, and by laughing at others we are enabled to detect shortcomings in ourselves. Sympathetic laughter does not arise from any contemplation of ludicrous circumstances, but is only a sort of reflection of the feelings of others. There seems to be little intelligence in it, but something almost physical, just as yawning is infectious, or as on seeing a person wounded in a limb we instinctively shrink ourselves in the same part of the body. Even a picture of a man laughing will have some effect upon us, and so have those songs in which exuberant mirth is imitated. Thus we often laugh without feeling just cause, as we often feel cause without laughing. All exhibitions of emotion are infectious. We feel sad at seeing a man in grief, although the source of his sorrow is unknown to us; and we are inclined to be joyous when surrounded by the votaries of mirth. Not unfrequently we find a number of persons laughing, when the greater part of them have no idea what is the cause of the merriment. Sometimes we cannot entirely resist the impulse, even when we ourselves are the object of it, so much are we inclined to enter into the feelings and views of those who surround us. In this, as well as in |
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