in Baltimore, but also the largest, the oldest, and the most
conspicuous: its proud head, rising high in air, having for nearly a
century dominated the city. One catches glimpses of it down this street
or that, or sees it from afar over the housetops; and sometimes, when
the column is concealed from view by intervening buildings, and only the
surmounting statue shows above them, one is struck by a sudden
apparition of the Father of his Country strolling fantastically upon
some distant roof.

Though it may be true that Mount Vernon Place, with its symmetrical
parked center and its admirable bronzes (several of them by Baryé),
suggests Paris, and though it is certainly true that it is more like a
Parisian square than a London square, nevertheless it is in reality an
American square--perhaps the finest of its kind in the United States. If
it were Parisian, it would have more trees and the surrounding buildings
would be uniform in color and in cornice height. It is perhaps as much
like Rittenhouse Square in Philadelphia as any other, and that
resemblance is of the slightest, for Mount Vernon Place has a quality
altogether its own. It has no skyscrapers or semi-skyscrapers to throw
it out of balance; and though the structures which surround it are of
white stone, brown stone, and red brick, and of anything but homogeneous
architecture, nevertheless a comparative uniformity of height, a
universal solidity of construction, and a general grace about them,
combine to give the Place an air of equilibrium and dignity and
elegance.

Including the Washington Monument, Baltimore has three lofty landmarks,
likely to be particularly noticed by the roving visitor. Of the
remaining two, one is the old brick shot-tower in the lower part of
town, which legend tells us was put up without the use of scaffolding