freezing out such dilatory supper-guests as would fain sit up and talk.
This is a system even more effective than the ancient one of mopping up
the floors, piling chairs upon the tables, and turning out enough lights
to make the room dull. A good post-midnight conversationalist--and
Baltimore is not without them--can stand mops, buckets, and dim lights,
but turn cold drafts upon his back and he gives up, sends for his coat,
buttons it about his paunch and goes sadly home.

It is fitting that last of all should be mentioned the man who views you
with keen eye as you arrive in Baltimore, and who watches you depart. If
you are in Baltimore he knows it. And when you go away he knows that,
too. Also, during racing season, he knows whether you bet, and whether
you won or lost. He is always at the station and always at the race
track, and if you don't belong in Baltimore he is aware of it the
instant he sets eyes upon you, because he knows every man, woman, child,
and dog in Baltimore, and they all know him. If you are a Baltimorean
you are already aware that I refer to the sapient McNeal, policeman at
the Union Station.

McNeal and Cardinal Gibbons are, I take it, the two preëminent figures
of the city. Their duties, I admit, are not alike, but each performs his
duties with discretion, with devotion, with distinction. The latter has
already celebrated the thirtieth anniversary of his nomination as
cardinal, but the former is well on the way toward his fortieth
anniversary as officer at the Union Station.

McNeal is an artist. He loves his work. And when his day off comes and
he puts on citizen's clothing and goes out for a good time, where do you
suppose he goes?