The Delight Makers by Adolph Francis Alphonse Bandelier
page 31 of 545 (05%)
page 31 of 545 (05%)
![]() | ![]() |
|
out of which a tall beam, notched at regular intervals like a primitive
ladder, protruded, and down which also the beam disappeared as if extended into the bowels of the earth. This edifice, half underground, half above the soil, was what to-day is called in New Mexico an _estufa_.[2] This Spanish word has become a technical term, and we shall hereafter use it in the course of the story as well as the designations _tshikia_ and _kaaptsh_ of the Queres Indians. The estufas were more numerous in a single pueblo formerly than they are now. Nor are they always sunken. At the Rito there were at least ten, five of which were circular chambers in the rock of the cliffs. These chambers or halls were, in the times we speak of, gathering places for men exclusively. No woman was permitted to enter, unless for the purpose of carrying food to the inmates. Each clan had its own estufa, and the young men slept in it under the surveillance of one or more of the aged principals, until they married, and frequently even afterward. There the young men became acquainted with the affairs of their individual connections, and little by little also with the business of the tribe. There, during the long evenings of winter, old men taught them the songs and prayers embodying traditions and myths, first of their own clan, then of the tribe.[3] The estufa was school, club-house, nay, armory to a certain extent. It was more. Many of the prominent religious exercises took place in it. The estufa on special occasions became transformed into a temple for the clan who had reared it. From the depths of this structure there came a series of dull sounds like beats of a drum. The youngsters stopped short, and looked at each other in surprise. |
|