The Delight Makers by Adolph Francis Alphonse Bandelier
page 37 of 545 (06%)
page 37 of 545 (06%)
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hides or mats. It was hot and quiet in this yard; the sun shed glaring
light into it and over the roofs. Naked urchins played and squirmed below, whereas above, an old woman or some aged man would cower motionless, shading their blear eyes with one hand and warming their cold frames in the heat. Okoya went directly to one of the ground-floor openings, lifted the deerskin that hung over it, and called out the usual greeting,-- "Guatzena!" "Opona,--'come in,'" responded a woman's voice. Both lads obeyed the summons. At first the room seemed dark on account of the sudden contrast with the glare outside, but as soon as this first impression was overcome, it appeared moderately lighted. It was a chamber about fourteen feet long and ten feet wide, and its walls were whitewashed with burnt gypsum. Deer-hides and a mat plaited of yucca-leaves lay rolled up in one corner. A niche contained a small earthen bowl, painted white with black symbolic figures. A doorway to the right led into another compartment which seemed darker than the first. As soon as the boys entered the room, a woman appeared in this side doorway. She was small, slender, and apparently thirty-five years of age. Her features, notwithstanding the high cheek-bones, were attractive though wan and thin. An air of physical suffering lay over them like a thin cloudy veil. At the sight of this woman, Okoya's heart began to throb again; for she it was whom he so direly suspected, nay, accused of treachery and deceit. This woman was his mother. FOOTNOTES: [Footnote 1: The word "umo" properly signifies "grandfather;" but it is |
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