by his love for the orphan relative, his watchfulness over her
childhood, and the interest displayed by his daily inquiries for her
welfare. His affections were kind and tender, while his principles were
unbending; and we feel that we love the man, though we are constrained
to render a deeper homage to the patriot.

Esther is one of the most beautiful characters in the gallery of
Scripture portraits. Her character is peculiarly feminine; and while her
path is marked by events of moment, it appeals to our hearts in each
vicissitude of her lot. Youth and beauty always throw a charm around the
possessor. Faint, perishing, transient as they are, they awaken all the
sympathies of our nature; a deep compassion, a foreboding of the future;
while the knowledge of the sorrows and trials which await those to whom
the present is so bright, heightens our interest. Thus in each stage of
the narrative, Esther comes to us with all that can awaken sympathy and
excite interest.

The fair flower is transplanted from Judea to the lands of the East--a
scion of a stock soon removed--sheltered, watched, nourished by the pure
dews of Divine truth; taken from seclusion and loneliness, where but one
eye beheld its opening beauty, to the gardens of royalty; and there,
among gayer and gaudier flowers, like the pure lily of the valley,
winning royal favour by purity, sweetness, and graceful loveliness.

We follow her from her lonely home to the palace, and think how many
fears and alarms mingled with the triumph of her beauty, the
consciousness of her power, when an empire blessed her name and
celebrated her beauty. And a deeper feeling is roused for the royal
bride, lately so flattered, caressed, and honoured, now suddenly
forgotten, neglected--left to the loneliness of her apartments or the