Crittenden - A Kentucky Story of Love and War by John Fox
page 142 of 183 (77%)
page 142 of 183 (77%)
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fire and human passion that had rocked it through that day. Was there so
much difference between the creatures of the earth and the creatures of his own proud estate? Had they not both been on the same brute level that day? And, save for the wounded and the men who had comrades wounded and dead, were not the unharmed as careless, almost as indifferent as cricket and tree-toad to the tragedies of their sphere? Had there been any inner change in any man who had fought that day that was not for the worse? Would he himself get normal again, he wondered? Was there one sensitive soul who fully realized the horror of that day? If so, he would better have been at home. The one fact that stood above every thought that had come to him that day was the utter, the startling insignificance of death. Could that mean much more than a startlingly sudden lowering of the estimate put upon human life? Across the hollow behind him and from a tall palm over the Spanish trenches, rose, loud and clear, the night-song of a mocking-bird. Over there the little men in blue were toiling, toiling, toiling at their trenches; and along the crest of the hill the big men in blue were toiling, toiling, toiling at theirs. All through the night anxious eyes would be strained for Chaffee, and at dawn the slaughter would begin again. Wherever he looked, he could see with his mind's eye stark faces in the long grass of the valley and the Spanish-bayonet clumps in the woods. All day he had seen them there--dying of thirst, bleeding to death--alone. As he went down the hill, lights were moving along the creek bed. A row of muffled dead lay along the bed of the creek. Yet they were still bringing in dead and wounded--a dead officer with his will and a letter to his wife clasped in his hand. He had lived long enough to write them. Hollow-eyed surgeons were moving here and there. Up the bank of the creek, a voice rose: "Come on, boys"--appealingly--"you're not going back on me. Come on, you |
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