constructive reason. M. Bergson interprets the phenomena of life in
terms of spirit, rather than in terms of matter as does Professor Loeb.
The word "creative" is the key-word to his view. Life is a creative
impulse or current which arose in matter at a certain time and place,
and flows through it from form to form, from generation to generation,
augmenting in force as it advances. It is one with spirit, and is
incessant creation; the whole organic world is filled, from bottom to
top, with one tremendous effort. It was long ago felicitously stated by
Whitman in his "Leaves of Grass," "Urge and urge, always the procreant
urge of the world."

This conception of the nature and genesis of life is bound to be
challenged by modern physical science, which, for the most part, sees in
biology only a phase of physics; but the philosophic mind and the
trained literary mind will find in "Creative Evolution" a treasure-house
of inspiring ideas, and engaging forms of original artistic expression.
As Mr. Balfour says, "M. Bergson's 'Evolution Créatrice' is not merely a
philosophical treatise, it has all the charm and all the audacities of a
work of art, and as such defies adequate reproduction."

It delivers us from the hard mechanical conception of determinism, or of
a closed universe which, like a huge manufacturing plant, grinds out
vegetables and animals, minds and spirits, as it grinds out rocks and
soils, gases and fluids, and the inorganic compounds.

With M. Bergson, life is the flowing metamorphosis of the poets,--an
unceasing becoming,--and evolution is a wave of creative energy
overflowing through matter "upon which each visible organism rides
during the short interval of time given it to live." In his view, matter
is held in the iron grip of necessity, but life is freedom itself.