Chambers's Edinburgh Journal, No. 430 - Volume 17, New Series, March 27, 1852 by Various
page 55 of 70 (78%)
page 55 of 70 (78%)
![]() | ![]() |
|
endeavour to form an incorporated association of the two classes
mentioned--of course for their common benefit. The aid of the possessors of rank and wealth is to be asked at starting, because, as the promoters say, 'we think literature has a right to ask the assistance of these other two great powers of society, because it so materially assists them; and because, in many of its branches, it has no other mode of being paid by society. The severely scientific, the highly imaginative, the profoundly legislative authors, do not produce promptly marketable, though they produce priceless, works. La Place, Wordsworth, Bentham, could not have existed had they depended on the first product of their works; they would have perished before an acknowledging world could have given them bread.' They say, further, that 'the humblest literary man works for something more than hire, and produces something more effective than a mere piece of merchandise. His book is not only sold to the profit of the bookseller, but to the benefit of the public. The publisher pays for its mercantile value, but the public should reward the author for its moral and social effect, as they take upon themselves to punish, if it have an evil tendency.' Whether the promoters are right or wrong in their views, will be best proved by the result; meantime, they put forth some good names as provisional president, vice-president, and managers, and propose that the Institute shall comprise four branches--namely, a Protective Society, a Philanthropic and Provident Fund, an Educational Association, and a Life-Assurance Department. The subscribers are to consist of two classes: those who give contributions for the benefit of the Institute, and those who seek to benefit themselves. The former are to be asked to insure their lives, for different rates of premium, the amounts to fall into the corporation at the decease of the |
|