intruded, have thrust myself into their shade. I confess it: yet muffle
your cymbals, moderate your arpeggi, for the sake of your historian! The
truth rejects what the fabulist tells us as an absurd invention. That
there are sometimes dealings between the Cigale and the Ant is perfectly
correct; but these dealings are the reverse of those described in the
fable. They depend not upon the initiative of the former; for the Cigale
never required the help of others in order to make her living: on the
contrary, they are due to the Ant, the greedy exploiter of others, who
fills her granaries with every edible she can find. At no time does the
Cigale plead starvation at the doors of the ant-hills, faithfully
promising a return of principal and interest; the Ant on the contrary,
harassed by drought, begs of the songstress. Begs, do I say! Borrowing
and repayment are no part of the manners of this land-pirate. She
exploits the Cigale; she impudently robs her. Let us consider this
theft; a curious point of history as yet unknown.

In July, during the stifling hours of the afternoon, when the insect
peoples, frantic with drought, wander hither and thither, vainly seeking
to quench their thirst at the faded, exhausted flowers, the Cigale makes
light of the general aridity. With her rostrum, a delicate augur, she
broaches a cask of her inexhaustible store. Crouching, always singing,
on the twig of a suitable shrub or bush, she perforates the firm, glossy
rind, distended by the sap which the sun has matured. Plunging her
proboscis into the bung-hole, she drinks deliciously, motionless, and
wrapt in meditation, abandoned to the charms of syrup and of song.

Let us watch her awhile. Perhaps we shall witness unlooked-for
wretchedness and want. For there are many thirsty creatures wandering
hither and thither; and at last they discover the Cigale's private well,
betrayed by the oozing sap upon the brink. They gather round it, at