Giotto and his works in Padua - An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena Chapel by John Ruskin
page 41 of 91 (45%)
page 41 of 91 (45%)
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The Gospel of St. Mary differs from this MS. in its statement of the
respective cities of Joachim and Anna, saying that the family of the Virgin's father "was of Galilee and of the city of Nazareth, the family of her mother was of Bethlehem." It is less interesting in details; but gives a better, or at least more graceful, account of Joachim's repulse, saying that Issachar "despised Joachim and his offerings, and asked him why he, who had no children, would presume to appear among those who had: adding, that his offerings could never be acceptable to God, since he had been judged by Him unworthy to have children; the Scripture having said, Cursed is every one who shall not beget a male in Israel." Giotto seems to have followed this latter account, as the figure of the high priest is far from being either ignoble or ungentle. The temple is represented by the two most important portions of a Byzantine church; namely, the ciborium which covered the altar, and the pulpit or reading desk; with the low screen in front of the altar enclosing the part of the church called the "cancellum." Lord Lindsay speaks of the priest within this enclosure as "confessing a young man who kneels at his feet." It seems to me, rather, that he is meant to be accepting the offering of another worshipper, so as to mark the rejection of Joachim more distinctly. * * * * * II. JOACHIM RETIRES TO THE SHEEPFOLD. |
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