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Studies in Early Victorian Literature by Frederic Harrison
page 104 of 190 (54%)
And of the best are--_Esmond_, _The Newcomes_, _Barry Lyndon_, the
_Book of Snobs_, the _Hoggarty Diamond_, some of the _Burlesques_ and
_Christmas Books_, and the _English Humourists_. Of these, _Esmond_
has every quality of a great book, except its artificial form, its
excessive elaboration of historical colouring, and its unsavoury plot.
Beatrix Esmond is almost as wonderful a creation as Becky Sharp;
though, if formed on a grander mould, she has less fascination than
that incorrigible minx. The _Newcomes_, if in some ways the most
genial of the longer pieces, is plainly without the power of _Vanity
Fair_. And if _Barry Lyndon_ has this power, it is an awful picture of
cruelty and meanness. The _Book of Snobs_ and the _Hoggarty Diamond_
were each a kind of prelude to _Vanity Fair_, and both contain some of
its essential marks of pathos and of power. It is indeed strange to us
now to remember that both of these books, written with such finished
mastery of hand and full of such passages of wit and insight, could
have been published for years before the world had recognised that it
had a new and consummate writer before it. The _Book of Snobs_ indeed
may truly be said to have seriously improved the public opinion of the
age, and to have given a death-blow to many odious forms of sycophancy
and affectation which passed unrebuked in England fifty years ago. And
the _Burlesque Romances_ and the _English Humourists_ have certainly
assisted in forming the public taste and in promoting a sound criticism
of our standard fiction.

Charlotte Brontë dedicated her _Jane Eyre_, in 1847, to William
Makepeace Thackeray, as "the first social regenerator of the day."
Such language, though interesting as coming from a girl of singular
genius and sincerity, however ignorant of real life, was excessive.
But we may truly assert that he has enriched our literature with some
classical masterpieces in the comedy of contemporary manners.
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