Studies in Early Victorian Literature by Frederic Harrison
page 72 of 190 (37%)
page 72 of 190 (37%)
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admire in his strange romances: his political worshippers and
followers, who took him seriously as a great statesman, are not fond of imagining their hero as an airy satirist. His romances as well as his satires are wholly unlike anything English; and though he had brilliant literary powers, he never acquired any serious literary education. Much as he had read, he had no learning, and no systematic knowledge of any kind. He was never, strictly speaking, even an accurate master of literary English. He would slip, as it were, unconsciously, into foreign idioms and obsolete words. In America, where his name arouses no political prejudice, he is better judged. To the Englishman, at least to the pedant, he is still a somewhat elaborate jest. Let us put aside every bias of political sympathy and anything that we know or suspect of the nature of the man, and we may find in the writer, Benjamin Disraeli, certain very rare qualities which justify his immense popularity in America, and which ought to maintain it in England. In his preface to _Lothair_ (October 1870), he proudly said that it had been "more extensively read both by the people of the United Kingdom and the United States than any work that has appeared for the last half century." This singular popularity must have a ground. Disraeli, in truth, belongs to that very small group of real political satirists of whom Swift is the type. He is not the equal of the terrible Dean; but it may be doubted if any Englishman since Swift has had the same power of presenting vivid pictures and decisive criticisms of the political and social organism of his times. It is this Aristophanic gift which Swift had. Voltaire, Montesquieu, Rabelais, Diderot, Heine, Beaumarchais had it. Carlyle had it for other ages, and in a historic spirit. There have been far greater satirists, men like Fielding and Thackeray, who have drawn far more powerful pictures of particular characters, foibles, or social |
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