Secluded, however, as were Mr Skinner's habits, and though he never had
interfered in the political movements of the period, he did not escape
his share in those ruthless severities which were visited upon the
non-juring clergy subsequent to the last Rebellion. His chapel was
destroyed by the soldiers of the barbarous Duke of Cumberland; and, on
the plea of his having transgressed the law by preaching to more than
four persons without subscribing the oath of allegiance, he was, during
six months, detained a prisoner in the jail of Aberdeen.

Entering on the sacred duties of the pastoral office, Mr Skinner appears
to have checked the indulgence of his rhyming propensities. His
subsequent poetical productions, which include the whole of his popular
songs, were written to please his friends, or gratify the members of his
family, and without the most distant view to publication. In 1787, he
writes to Burns, on the subject of Scottish song:--"While I was young, I
dabbled a good deal in these things; but on getting the black gown, I
gave it pretty much over, till my daughters grew up, who, being all
tolerably good singers, plagued me for words to some of their favourite
tunes, and so extorted those effusions which have made a public
appearance, beyond my expectations, and contrary to my intentions; at
the same time, I hope there is nothing to be found in them
uncharacteristic or unbecoming the cloth, which I would always wish to
see respected." Some of Mr Skinner's best songs were composed at a
sitting, while they seldom underwent any revision after being committed
to paper. To the following incident, his most popular song,
"Tullochgorum," owed its origin. In the course of a visit he was making
to a friend in Ellon (not Cullen, as has been stated on the authority of
Burns), a dispute arose among the guests on the subject of Whig and Tory
politics, which, becoming somewhat too exciting for the comfort of the