Michael Strogoff - Or, The Courier of the Czar by Jules Verne
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formed to this procession of exalted personages and splendidly
dressed women a frame worthy of the magnificence they displayed. The rich ceiling, with its gilding already softened by the touch of time, appeared as if glittering with stars. The embroidered drapery of the curtains and doors, falling in gorgeous folds, assumed rich and varied hues, broken by the shadows of the heavy masses of damask. Through the panes of the vast semicircular bay-windows the light, with which the saloons were filled, shone forth with the brilliancy of a conflagration, vividly illuminating the gloom in which for some hours the palace had been shrouded. The attention of those of the guests not taking part in the dancing was attracted by the contrast. Resting in the recesses of the windows, they could discern, standing out dimly in the darkness, the vague outlines of the countless towers, domes, and spires which adorn the ancient city. Below the sculptured balconies were visible numerous sentries, pacing silently up and down, their rifles carried horizontally on the shoulder, and the spikes of their helmets glittering like flames in the glare of light issuing from the palace. The steps also of the patrols could be heard beating time on the stones beneath with even more regularity than the feet of the dancers on the floor of the saloon. From time to time the watchword was repeated from post to post, and occasionally the notes of a trumpet, mingling with the strains of the orchestra, penetrated into their midst. Still farther down, in front of the facade, dark masses obscured the rays of light which proceeded from the windows of the New Palace. These were boats descending the course |
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