The Story of the Hymns and Tunes by Theron Brown;Hezekiah Butterworth
page 54 of 619 (08%)
page 54 of 619 (08%)
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_TUNE--OLD HUNDRED._ Martin Madan's four-page anthem, "Denmark," has some grand strains in it, but it is a tune of florid and difficult vocalization, and is now heard only in Old Folks' Concerts. * * * * * The Rev. Isaac Watts, D.D., was born at Southampton, Eng., in 1674. His father was a deacon of the Independent Church there, and though not an uncultured man himself, he is said to have had little patience with the incurable penchant of his boy for making rhymes and verses. We hear nothing of the lad's mother, but we can fancy her hand and spirit in the indulgence of his poetic tastes as well as in his religious training. The tradition handed down from Dr. Price, a colleague of Watts, relates that at the age of eighteen Isaac became so irritated at the crabbed and untuneful hymns sung at the Nonconformist meetings that he complained bitterly of them to his father. The deacon may have felt something as Dr. Wayland did when a rather "fresh" student criticised the Proverbs, and hinted that making such things could not be "much of a job," and the Doctor remarked, "Suppose _you_ make a few." Possibly there was the same gentle sarcasm in the reply of Deacon Watts to his son, "Make some yourself, then." Isaac was in just the mood to take his father at his word, and he retired and wrote the hymn-- Behold the glories of the Lamb. |
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