The Story of the Hymns and Tunes by Theron Brown;Hezekiah Butterworth
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page 8 of 619 (01%)
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Religion sings; that is true, though all "religions" do not sing. There is no voice of sacred song in Islamism. The muezzin call from the minarets is not music. One listens in vain for melody among the worshippers of the "Light of Asia." The hum of pagoda litanies, and the shouts and gongs of idol processions are not psalms. But many historic faiths have lost their melody, and we must go far back in the annals of ethnic life to find the songs they sung. Worship appears to have been a primitive human instinct; and even when many gods took the place of One in the blinder faith of men it was nature worship making deities of the elements and addressing them with supplication and praise. Ancient hymns have been found on the monumental tablets of the cities of Nimrod; fragments of the Orphic and Homeric hymns are preserved in Greek anthology; many of the Vedic hymns are extant in India; and the exhumed stones of Egypt have revealed segments of psalm-prayers and liturgies that antedate history. Dr. Wallis Budge, the English Orientalist, notes the discovery of a priestly hymn two thousand years older than the time of Moses, which invokes One Supreme Being who "cannot be figured in stone." So far as we have any real evidence, however, the Hebrew people surpassed all others in both the custom and the spirit of devout song. We get snatches of their inspired lyrics in the song of Moses and Miriam, the song of Deborah and Barak, and the song of Hannah (sometimes called "the Old Testament Magnificat"), in the hymns of David and Solomon and all the Temple Psalms, and later where the New Testament gives us the "Gloria" of the Christmas angels, the thanksgiving of Elizabeth (benedictus minor), Mary's Magnificat, the song of Zacharias (benedictus major), the "nunc dimittis" of Simeon, and the celestial |
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