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The Story of the Hymns and Tunes by Theron Brown;Hezekiah Butterworth
page 8 of 619 (01%)

Religion sings; that is true, though all "religions" do not sing. There
is no voice of sacred song in Islamism. The muezzin call from the
minarets is not music. One listens in vain for melody among the
worshippers of the "Light of Asia." The hum of pagoda litanies, and the
shouts and gongs of idol processions are not psalms. But many historic
faiths have lost their melody, and we must go far back in the annals of
ethnic life to find the songs they sung.

Worship appears to have been a primitive human instinct; and even when
many gods took the place of One in the blinder faith of men it was
nature worship making deities of the elements and addressing them with
supplication and praise. Ancient hymns have been found on the monumental
tablets of the cities of Nimrod; fragments of the Orphic and Homeric
hymns are preserved in Greek anthology; many of the Vedic hymns are
extant in India; and the exhumed stones of Egypt have revealed segments
of psalm-prayers and liturgies that antedate history. Dr. Wallis Budge,
the English Orientalist, notes the discovery of a priestly hymn two
thousand years older than the time of Moses, which invokes One Supreme
Being who "cannot be figured in stone."

So far as we have any real evidence, however, the Hebrew people
surpassed all others in both the custom and the spirit of devout song.
We get snatches of their inspired lyrics in the song of Moses and
Miriam, the song of Deborah and Barak, and the song of Hannah (sometimes
called "the Old Testament Magnificat"), in the hymns of David and
Solomon and all the Temple Psalms, and later where the New Testament
gives us the "Gloria" of the Christmas angels, the thanksgiving of
Elizabeth (benedictus minor), Mary's Magnificat, the song of Zacharias
(benedictus major), the "nunc dimittis" of Simeon, and the celestial
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