Historical Tales, Vol. 4 (of 15) - The Romance of Reality by Charles Morris
page 95 of 314 (30%)
page 95 of 314 (30%)
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At length arrived a day in which, from a fortress window above his head, came an echo of the strain he had just sung. He listened in ecstasy. Those were Norman words; that was a well-known voice; it could be but the captive king. "O Richard! O my king!" sang the minstrel again, in a song of his own devising. From above came again the sound of familiar song. Filled with joy, the faithful minstrel sought England's shores, told the nobles where the king could be found, and made strenuous exertions to obtain his ransom, efforts which were at length crowned with success. Through the alluring avenues of romance the voice of Blondel still comes to us, singing his signal lay of "O Richard! O my king!" but history has made no record of the pretty tale, and back to history we must turn. The imprisoned king was placed on trial before the German Diet at Worms, charged with--no one knows what. Whatever the charge, the sentence was that he should pay a ransom of one hundred thousand pounds of silver, and acknowledge himself a vassal of the emperor. The latter, a mere formality, was gone through with as much pomp and ceremony as though it was likely to have any binding force upon English kings. The former, the raising of the money, was more difficult. Two years passed, and still it was not all paid. The royal prisoner, weary of his long captivity, complained bitterly of the neglect of his people and friends, singing his woes in a song composed in the polished dialect of Provence, the land of the troubadours. |
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