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The Poetry of Wales by John Jenkins
page 10 of 186 (05%)
of England, and extensive acquaintance with its people, followed often by
mercantile success, so as almost to become Anglicised, no sooner returns
to his native hills, either for a visit or residence, and upon the
Sabbath morn enters the old parish church or chapel to hear the bible
read in the native tongue, than he feels a transport of delight and joy,
to which his heart has been foreign since he crossed the border, mayhap
in youth. Much of this may be owing to a cause similar to that which
fires the Swiss soldier on foreign service when he hears the chant of his
own mountain "_Rans des vaches_." Something may doubtless be laid to the
account of early association; but, we think, more is justly due to the
great impressiveness and power of his native tongue. The poems, original
and translated, contained in the first part of the ensuing collection,
may convey to the English reader some idea of this class of Welsh poetry.

The love of the beautiful is natural to man, but of all nations the
Greeks entertained the best ideals and cultivated the faculty to the
highest perfection. Their temples have formed models of architectural
beauty for all nations, and the grace and elegance of their statuary have
found students among every people. Much of this taste for the beautiful
mingled with their poetry, which is kin sister to the imitative arts. In
recent times the Italians have inherited the faculty of beauty, and
introduced it into their fine cathedrals and capitols, as well as their
statuary. The French also have displayed the highest ideals of beauty in
their manufactures and fine arts. The Spaniards have introduced into
their poetry some of the inimitable grace and beauty of their Alhambra.
The Latin races appear in modern times to have been pre-distinguished in
the fine arts. Much of the taste for beauty is inherent in the Celtic
races, and this element is very perceptible in the poetry of the Cymric
branch, as will appear from the illustrations contained in the second
part of this collection.
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