fifteen-franc variety. Constant friction with a pair of enormous ears
had left their marks which no brush could efface from the underside of
the brim; the silk tissue (as usual) fitted badly over the cardboard
foundation, and hung in wrinkles here and there; and some skin-disease
(apparently) had attacked the nap in spite of the hand which rubbed it
down of a morning.

Beneath the hat, which seemed ready to drop off at any moment, lay an
expanse of countenance grotesque and droll, as the faces which the
Chinese alone of all people can imagine for their quaint curiosities.
The broad visage was as full of holes as a colander, honeycombed with
the shadows of the dints, hollowed out like a Roman mask. It set all
the laws of anatomy at defiance. Close inspection failed to detect the
substructure. Where you expected to find a bone, you discovered a
layer of cartilaginous tissue, and the hollows of an ordinary human
face were here filled out with flabby bosses. A pair of gray eyes,
red-rimmed and lashless, looked forlornly out of a countenance which
was flattened something after the fashion of a pumpkin, and surmounted
by a Don Quixote nose that rose out of it like a monolith above a
plain. It was the kind of nose, as Cervantes must surely have
explained somewhere, which denotes an inborn enthusiasm for all things
great, a tendency which is apt to degenerate into credulity.

And yet, though the man's ugliness was something almost ludicrous, it
aroused not the slightest inclination to laugh. The exceeding
melancholy which found an outlet in the poor man's faded eyes reached
the mocker himself and froze the gibes on his lips; for all at once
the thought arose that this was a human creature to whom Nature had
forbidden any expression of love or tenderness, since such expression
could only be painful or ridiculous to the woman he loved. In the