as the famous gardens at Heidelberg, laid waste by Turenne, had the
bad luck to exist before the garden of Versailles. Sevres copied
Frankenthal to a large extent.--In justice to the Germans, it must be
said that they have done admirable work in Saxony and in the
Palatinate."

Mother and daughter looked at one another as if Pons were speaking
Chinese. No one can imagine how ignorant and exclusive Parisians are;
they only learn what they are taught, and that only when they choose.

"And how do you know the Frankenthal ware when you see it?"

"Eh! by the mark!" cried Pons with enthusiasm. "There is a mark on
every one of those exquisite masterpieces. Frankenthal ware is marked
with a C and T (for Charles Theodore) interlaced and crowned. On old
Dresden china there are two crossed swords and the number of the order
in gilt figures. Vincennes bears a hunting-horn; Vienna, a V closed
and barred. You can tell Berlin by the two bars, Mayence by the wheel,
and Sevres by the two crossed L's. The queen's porcelain is marked A
for Antoinette, with a royal crown above it. In the eighteenth
century, all the crowned heads of Europe had rival porcelain
factories, and workmen were kidnaped. Watteau designed services for
the Dresden factory; they fetch frantic prices at the present day. One
has to know what one is about with them too, for they are turning out
imitations now at Dresden. Wonderful things they used to make; they
will never make the like again--"

"Oh! pshaw!"

"No, cousin. Some inlaid work and some kinds of porcelain will never