The Ice-Maiden: and Other Tales. by Hans Christian Andersen
page 74 of 91 (81%)
page 74 of 91 (81%)
![]() | ![]() |
|
what shape? The soft clay allowed itself to be modeled into beautiful
figures by his fingers, but on the following day, dissatisfied, he destroyed all he had created. One day he passed by one of the rich palaces, of which Rome has so many; he stood a moment at the large open entrance, and gazed into a little garden, full of the most beautiful roses, which was surrounded by archways, decorated with paintings. Large, white callas, with their green leaves, sprouted forth from marble shells, into which splashed clear water; a form glided by, a young girl, the daughter of this princely house, so elegant, so light, so charming! He had never seen so lovely a woman. Hold! yes, once, one made by Raphael, a painting of Psyche, in one of the palaces of Rome. There she was but painted, here she breathed and moved. She lived in his thoughts and in his heart; he went home to his poor lodgings and formed a Psyche out of clay; it was the rich, young Roman girl, the princely woman, and he gazed at his work with satisfaction, for the first time. This had a signification--it was _She_. When his friends looked upon it, they exclaimed with joy, that this work was a revelation of his artistic greatness, which they had always recognized, but which now should be recognized by the whole world. Clay is natural, flesh like, but it has not the whiteness, the durability of marble; the Psyche must obtain life from the block of marble--and he had the most precious piece of marble. It had been the property of his parents, and had been lying many years, in the court yard; bits of broken bottles, remains of artichokes were heaped over it and it was soiled, but its interior was white as the mountain snow; the Psyche should rise forth from it. |
|