of wealth about it, but every sign of ease and comfort and simple
dignity.

Now we will go back to the front door and go through the house itself.
The door opens into a tiny hall lighted by the glass panes of the door,
and bright with pictures--oil paintings and engravings. The furniture
old and sturdy, and a few curiosities about--carvings, weapons, horns of
beasts. To the left a door opens into a pleasant dining-room, with two
windows looking out in front, dark as dining-rooms may well be. It is
hung with panels of green cloth, it has a big open Tudor fireplace, with
a big oak settle, some china on an old dresser, a solid table and
chairs, and a hatch in the corner through which dishes can be handed.

Opposite, on the other side of the hall, a door opens into a long low
library, with books all round in white shelves. There is a big grand
piano here, a very solid narrow oak table with a chest below, a bureau,
and some comfortable chintz-covered chairs with a deep sofa. A perfect
room to read or to hear music in, with its two windows to the front, and
a long window opening down to the ground at the south end. All the books
here are catalogued, and each has its place. If you go out into the hall
again and pass through, a staircase goes up into the house, the walls of
it panelled, and hung with engravings; some of the panels are carved
with holy emblems. At the foot of the stairs a door on the right takes
you into a small sitting-room, with a huge stone fireplace; a big window
looks south, past the dark yew trees, on to the lawn. There are little
devices in the quarries of the window, and a deep window-seat. The room
is hung with a curious tapestry, brightly coloured mediÊval figures
standing out from a dark background. There is not room for much
furniture here; a square oak stand for books, a chair or two by the
fire. Parallel to the wall, with a chair behind it filling up much of