The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century by Various
page 45 of 411 (10%)
page 45 of 411 (10%)
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unmitigated severity. The Shepherd, who knew, notwithstanding the
Laureate's professions of indifference to criticism, that his nature was sensitive, and who feared that the _Review_ would treat "Roderick" as it had done Southey's previous productions, ventured to recommend him to evince a less avowed hostility to Jeffrey, in the hope of subduing the bitterness of his censure. The letter of Southey, in answer to this counsel, will prove interesting, in connexion with the literary history of the period. The Bard of Keswick had hardly advanced to that happy condition which he fancied he had reached, of being "indulgent toward others," at least under the influence of strong provocation:-- "Keswick, _24th Dec. 1814._ "Dear Hogg,--I am truly obliged to you for the solicitude which you express concerning the treatment 'Roderick' may experience in the _Edinburgh Review_, and truly gratified by it, notwithstanding my perfect indifference as to the object in question. But you little know me, if you imagine that any thoughts of fear or favour would make me abstain from speaking publicly of Jeffrey as I think, and as he deserves. I despise his commendation, and I defy his malice. _He_ crush the 'Excursion!!!'[33] Tell him that he might as easily crush Skiddaw. For myself, _popularity_ is not the mark I shoot at; if it were, I should not write such poems as 'Roderick;' and Jeffrey can no more stand in my way to _fame_, than Tom Thumb could stand in my way in the street. "He knows that he has dealt unfairly and maliciously by |
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