Tartarin of Tarascon by Alphonse Daudet
page 70 of 126 (55%)
page 70 of 126 (55%)
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Every Saturday night in winter there is a masked ball at the Grand Theatre of Algiers, just as at the Paris Opera-House. It is the undying and ever-tasteless county fancy dress ball -- very few people on the floor, several castaways from the Parisian students' ballrooms or midnight dance-houses, Joans of Arc following the army, faded characters out of the Java costume-book of 1840, and half-a-dozen laundress's underlings who are aiming to make loftier conquests, but still preserve a faint perfume of their former life -- garlic and saffron sauce. The real spectacle is not there, but in the green-room, transformed for the nonce into a hall of green cloth or gaming saloon. An enfevered and motley mob hustle one another around the long green table-covers: Turcos out for the day and staking their double halfpence, Moorish traders from the native town, Negroes, Maltese, colonists from the inland, who have come forty leagues in order to risk on a turning card the price of a plough or of a yoke of oxen; all a-quivering, pale, clenching their teeth, and with that singular, wavering, sidelong look of the gamester, become a squint from always staring at the same card in the lay-out. A little apart are the tribes of Algerian Jews, playing among acquaintances. The men are in the Oriental costume; hideously varied with blue stockings and velvet caps. The puffy and flabby women sit up stiffly in tight golden bodices. Grouped around the tables, the whole tribe wail, squeal, combine, reckon on the fingers, and play but little. Now and anon, however, after long conferences, some old patriarch, with a beard like those of saints by the Old Masters, detaches himself from the party and goes to risk the family |
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