From Cornhill to Grand Cairo by William Makepeace Thackeray
page 37 of 216 (17%)
page 37 of 216 (17%)
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it on either side. The vast Rock rises on one side with its
interminable works of defence, and Gibraltar Bay is shining on the other, out on which from the terraces immense cannon are perpetually looking, surrounded by plantations of cannon-balls and beds of bomb-shells, sufficient, one would think, to blow away the whole peninsula. The horticultural and military mixture is indeed very queer: here and there temples, rustic summer-seats, &c. have been erected in the garden, but you are sure to see a great squat mortar look up from among the flower-pots: and amidst the aloes and geraniums sprouts the green petticoat and scarlet coat of a Highlander. Fatigue-parties are seen winding up the hill, and busy about the endless cannon-ball plantations; awkward squads are drilling in the open spaces: sentries marching everywhere, and (this is a caution to artists) I am told have orders to run any man through who is discovered making a sketch of the place. It is always beautiful, especially at evening, when the people are sauntering along the walks, and the moon is shining on the waters of the bay and the hills and twinkling white houses of the opposite shore. Then the place becomes quite romantic: it is too dark to see the dust on the dried leaves; the cannon-balls do not intrude too much, but have subsided into the shade; the awkward squads are in bed; even the loungers are gone, the fan-flirting Spanish ladies, the sallow black-eyed children, and the trim white-jacketed dandies. A fife is heard from some craft at roost on the quiet waters somewhere; or a faint cheer from yonder black steamer at the Mole, which is about to set out on some night expedition. You forget that the town is at all like Wapping, and deliver yourself up entirely to romance; the sentries look noble pacing there, silent in the moonlight, and Sandy's voice is quite musical as he challenges with a "Who goes there?" |
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