The Victorian Age in Literature by G. K. (Gilbert Keith) Chesterton
page 114 of 131 (87%)
page 114 of 131 (87%)
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adequately measured if we compare the insight and intricacy of Meredith
with the insight and intricacy of Mr. Henry James. The characters of both are delicate and indisputable; but we must all have had a feeling that the characters in Meredith are gods, but that the characters in Henry James are ghosts. I do not mean that they are unreal: I believe in ghosts. So does Mr. Henry James; he has written some of his very finest literature about the little habits of these creatures. He is in the deep sense of a dishonoured word, a Spiritualist if ever there was one. But Meredith was a materialist as well. The difference is that a ghost is a disembodied spirit; while a god (to be worth worrying about) must be an embodied spirit. The presence of soul and substance together involves one of the two or three things which most of the Victorians did not understand--the thing called a sacrament. It is because he had a natural affinity for this mystical materialism that Meredith, in spite of his affectations, is a poet: and, in spite of his Victorian Agnosticism (or ignorance) is a pious Pagan and not a mere Pantheist. Mr. Henry James is at the other extreme. His thrill is not so much in symbol or mysterious emblem as in the absence of interventions and protections between mind and mind. It is not mystery: it is rather a sort of terror at knowing too much. He lives in glass houses; he is akin to Maeterlinck in a feeling of the nakedness of souls. None of the Meredithian things, wind or wine or sex or stark nonsense, ever gets between Mr. James and his prey. But the thing is a deficiency as well as a talent: we cannot but admire the figures that walk about in his afternoon drawing-rooms; but we have a certain sense that they are figures that have no faces. For the rest, he is most widely known, or perhaps only most widely chaffed, because of a literary style that lends itself to parody and is a glorious feast for Mr. Max Beerbohm. It may be called The Hampered, or Obstacle Race Style, in which one continually trips over commas and |
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