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The Victorian Age in Literature by G. K. (Gilbert Keith) Chesterton
page 15 of 131 (11%)
It went along with the decision of the aristocracy to recruit itself
more freely from the middle class. It was then also that Victorian
"prudery" began: the great lords yielded on this as on Free Trade.
These two decisions have made the doubtful England of to-day; and
Macaulay is typical of them; he is the _bourgeois_ in Belgravia. The
alliance is marked by his great speeches for Lord Grey's Reform Bill: it
is marked even more significantly in his speech against the Chartists.
Cobbett was dead.

Macaulay makes the foundation of the Victorian age in all its very
English and unique elements: its praise of Puritan politics and
abandonment of Puritan theology; its belief in a cautious but perpetual
patching up of the Constitution; its admiration for industrial wealth.
But above all he typifies the two things that really make the Victorian
Age itself, the cheapness and narrowness of its conscious formulæ; the
richness and humanity of its unconscious tradition. There were two
Macaulays, a rational Macaulay who was generally wrong, and a romantic
Macaulay who was almost invariably right. All that was small in him
derives from the dull parliamentarism of men like Sir James Mackintosh;
but all that was great in him has much more kinship with the festive
antiquarianism of Sir Walter Scott.

As a philosopher he had only two thoughts; and neither of them is true.
The first was that politics, as an experimental science, must go on
improving, along with clocks, pistols or penknives, by the mere
accumulation of experiment and variety. He was, indeed, far too
strong-minded a man to accept the hazy modern notion that the soul in
its highest sense can change: he seems to have held that religion can
never get any better and that poetry rather tends to get worse. But he
did not see the flaw in his political theory; which is that unless the
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