Penelope's Postscripts by Kate Douglas Smith Wiggin
page 27 of 119 (22%)
page 27 of 119 (22%)
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balcony surrounded by a group of friends from the various Boston
suburbs, the vision of Miss Celia Van Tyck melting into delicious distance with every movement of our gondola, even this was sufficient for Salemina's happiness and mine, had it been accompanied by no more tangible joys. This island, hardly ten minutes by gondola from the Piazza of San Marco, was the summer resort of the Doges, you will remember, and there they built their pleasure-houses, with charming gardens at the back--gardens the confines of which stretched to the Laguna Viva. Our Casa Rosa is one of the few old palazzi left, for many of them have been turned into granaries. We should never have found this romantic dwelling by ourselves; the Little Genius brought us here. The Little Genius is Miss Ecks, who draws, and paints, and carves, and models in clay, preaching and practising the brotherhood of man and the sisterhood of woman in the intervals; Miss Ecks, who is the custodian of all the talents and most of the virtues, and the invincible foe of sordid common sense and financial prosperity. Miss Ecks met us by chance in the Piazza and breathlessly explained that she was searching for paying guests to be domiciled under the roof of Numero Sessanta, Giudecca. She thought we should enjoy living there, or at least she did very much, and she had tried it for two years; but our enjoyment was not the special point in question. The real reason and desire for our immediate removal was that the padrona might pay off a vexatious and encumbering mortgage which gave great anxiety to everybody concerned, besides interfering seriously with her own creative work. |
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