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The Moving Picture Girls at Sea - or, A Pictured Shipwreck That Became Real by Laura Lee Hope
page 16 of 189 (08%)
volume as their first venture in becoming acquainted with our heroines
must well know how the film pictures look from the front of the screen.

To the uninitiated I might say that in making picture plays a company,
somewhat like a regular theatrical organization, is gotten together. The
play is decided upon, but instead of the acts taking place before an
audience they are enacted before a camera and a man who acts as
director, or manager.

Some of the action takes place out of doors, amid the surroundings of
nature, but most interior scenes are "filmed," or taken, in the studio,
under the brilliant glare of electric lights. The pictures are taken in
succession on a narrow strip of celluloid film, of the same nature as
those in any camera. The strips are of a standard length of one thousand
feet, though some plays may "split," and take only half a "reel" while
others will fill several.

When the film has been exposed, it is developed in a dark tank, and from
that one "master" film, any number of "positives" can be made for use in
the projecting machines. Doubtless you know that the same machine which
takes the pictures does not show them on the screen.

But enough of this detail.

"Was the rarebit good?" asked Alice, smiling up into her father's face,
as the supper progressed.

"You may give me some more, which is the best answer in the world, my
dear," he replied, smiling.

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