The great porch of Saint-Maclou is very remarkable. It had formerly
three very commodious entrances; but, they have contrived, at I do not
know what time, to build a house _before_ and _quite close_ to the
southwest door way; which, in consequence is closed up.

The municipal administration lately decided that this house should be
pulled down, that the door which it closes up may be opened; but it will
be of no use but for the general appearence of the front of the edifice,
as this door does not present, like the others, any very interesting
details of architecture. It is more than probable that they existed
formerly, but, being hid from view, the door was taken off and replaced
by the plain one, which exists at present; this loss must be deeply
felt, when we contemplate the sculpture, which ornamented the other
entrances and which strangers will not fail to admire, either in the
western front or the northern porch from the rue Martainville. These
sculptures, which are attributed to the celebrated Jean Goujon, consist
principally of bas-reliefs representing different subjects from the
Bible, such as _the death of the Virgin_, on the door in the rue
Martainville; the _baptism of Jesus-Christ_, on the door of the great
porch, etc. On the small door to the left, are also some very curious
bas-reliefs.

Saint-Maclou still preserves almost the whole of its ancient painted
glass windows, which are composed in general of isolated figures of
saints, covered with canopies and in the style of the _Renaissance_. The
lower portions of these paintings have been very much mutilated.[16]

Almost opposite the northern porch of the church, we find the entrance
to what was formerly the burying ground of Saint-Maclou, which answered