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Early Reviews of English Poets by John Louis Haney
page 27 of 317 (08%)
1817 whilst the _Monthly_ continued until 1843. In both cases, however,
the publication amounted to little more than a sheer struggle for
existence. The _Monthly's_ attempt to imitate in a smaller way the plan
of the quarterlies proved an unqualified failure. Neither of the two
periodicals established at the beginning of the century ever achieved a
position of critical authority. The _Christian Observer_, started (1802)
by Josiah Pratt and conducted by Zachary Macaulay until 1816, was
devoted mainly to the abolition of the slave-trade. Its subsequent
history until its demise in 1877 is confined almost wholly to the
theological pale. The second periodical was the _Monthly Repository of
Theology and General Literature_ (1806-37), which achieved some literary
prominence for a time under the editorship of W.J. Fox. During the last
two years of its existence, Richard Hengist Horne and Leigh Hunt became
its successive editors, but failed to avert the final collapse.

It would be useless to enumerate the many short-lived attempts, such as
the _Monthly Censor_ (1822) and Longman's _Monthly Chronicle_ (1838-41)
that were made to provide a successful monthly review. The first of the
modern literary monthlies was the _Fortnightly Review_, established in
1865, evidently upon the model of _Revue des Deux Mondes_, which had
been published at Paris since 1831. Like the great French periodical,
it was issued fortnightly (at first) and printed signed articles. It was
Liberal in politics, agnostic in religion and abreast of the times in
science. The publishers, Messrs. Chapman and Hall, secured an
experienced editor in George Henry Lewes, who had contributed
extensively to most of the reviews then in progress. The success of the
new review was assured by the presence of such names as Walter Bagehot,
George Eliot, Sir John Herschel, Mr. Frederic Harrison and Herbert
Spencer on its list of contributors. It provided articles of timely
interest in politics, literature, art and science; in its early volumes
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