Early Reviews of English Poets by John Louis Haney
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page 27 of 317 (08%)
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1817 whilst the _Monthly_ continued until 1843. In both cases, however,
the publication amounted to little more than a sheer struggle for existence. The _Monthly's_ attempt to imitate in a smaller way the plan of the quarterlies proved an unqualified failure. Neither of the two periodicals established at the beginning of the century ever achieved a position of critical authority. The _Christian Observer_, started (1802) by Josiah Pratt and conducted by Zachary Macaulay until 1816, was devoted mainly to the abolition of the slave-trade. Its subsequent history until its demise in 1877 is confined almost wholly to the theological pale. The second periodical was the _Monthly Repository of Theology and General Literature_ (1806-37), which achieved some literary prominence for a time under the editorship of W.J. Fox. During the last two years of its existence, Richard Hengist Horne and Leigh Hunt became its successive editors, but failed to avert the final collapse. It would be useless to enumerate the many short-lived attempts, such as the _Monthly Censor_ (1822) and Longman's _Monthly Chronicle_ (1838-41) that were made to provide a successful monthly review. The first of the modern literary monthlies was the _Fortnightly Review_, established in 1865, evidently upon the model of _Revue des Deux Mondes_, which had been published at Paris since 1831. Like the great French periodical, it was issued fortnightly (at first) and printed signed articles. It was Liberal in politics, agnostic in religion and abreast of the times in science. The publishers, Messrs. Chapman and Hall, secured an experienced editor in George Henry Lewes, who had contributed extensively to most of the reviews then in progress. The success of the new review was assured by the presence of such names as Walter Bagehot, George Eliot, Sir John Herschel, Mr. Frederic Harrison and Herbert Spencer on its list of contributors. It provided articles of timely interest in politics, literature, art and science; in its early volumes |
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