_Fraser's_ was modelled upon _Blackwood's_; but a unique and popular
feature was the publication of the "Gallery of Illustrious Literary
Characters" between 1830-38. This famous series of eighty-one caricature
portraits chiefly by Daniel Maclise, with letter-press by Maginn, has
been made accessible to present-day readers in William Bates' _Maclise
Portrait Gallery_ (1883) where much illustrative material has been added
to the original articles. It is evident that the literary standard of
_Fraser's_ soon equalled and possibly surpassed that of _Blackwood's_.
Among its writers were Carlyle (who contributed a critique to the first
number, published _Sartor Resartus_ in its pages, 1833-35, and, as late
as 1875, his _Early Kings of Norway_), Thackeray, Father Prout and
Thomas Love Peacock. Maclise's plate of "The Fraserians" also includes
Allan Cunningham, Theodore Hook, William Jerdan, Lockhart, Hogg,
Coleridge, Southey and several others. It is unlikely that all of them
wrote much for _Fraser's_; but the staff was undoubtedly a brilliant
assemblage. James Anthony Froude became editor in 1860 and was assisted
for a time by Charles Kingsley and Sir Theodore Martin. He was succeeded
by his sub-editor, William Allingham, during whose administration
(1874-79) the fortunes of _Fraser's_ suffered a decline. The gradual
failure was due to the competition of the new shilling magazines rather
than to incompetence on the part of the editor. The end came in October,
1882, when _Fraser's_ was succeeded by _Longman's Magazine_ which is
still in progress.

The magazines established soon after _Fraser's_ followed for the most
part a policy that demands for them mere passing mention in the present
connection. Literary criticism and reviews were largely abandoned in
favor of lighter and more entertaining material. The _Dublin University
Magazine_ (1833-80) and _Tait's Edinburgh Magazine_ (1832-61) best
represent the transitional stage. During its early history, the latter