quality of the poetry; but we doubt whether the publication has afforded
so much satisfaction to any other of his readers:--it has freed us from
all doubt or hesitation as to the justice of our former censures, and
has brought the matter to a test, which we cannot help hoping may be
convincing to the author himself.

Mr Wordsworth, we think, has now brought the question, as to the merit
of his new school of poetry, to a very fair and decisive issue. The
volumes before us are much more strongly marked by all its peculiarities
than any former publication of the fraternity. In our apprehension, they
are, on this very account, infinitely less interesting or meritorious;
but it belongs to the public, and not to us, to decide upon their merit,
and we will confess, that so strong is our conviction of their obvious
inferiority, and the grounds of it, that we are willing for once to
wa[i]ve our right of appealing to posterity, and to take the judgment of
the present generation of readers, and even of Mr Wordsworth's former
admirers, as conclusive on this occasion. If these volumes, which have
all the benefit of the author's former popularity, turn out to be nearly
as popular as the lyrical ballads--if they sell nearly to the same
extent--or are quoted and imitated among half as many individuals, we
shall admit that Mr Wordsworth has come much nearer the truth in his
judgment of what constitutes the charm of poetry, than we had previously
imagined--and shall institute a more serious and respectful inquiry into
his principles of composition than we have yet thought necessary. On the
other hand,--if this little work, selected from the compositions of five
maturer years, and written avowedly for the purpose of exalting a
system, which has already excited a good deal of attention, should be
generally rejected by those whose prepossessions were in its favour,
there is room to hope, not only that the system itself will meet with no
more encouragement, but even that the author will be persuaded to