external facts in the memory, but we cannot recall the sensations and
the sentiments; the confused forces which seek to move us are then all
at work at once, and to speak the language of beyond the Rhine, it is
_the essentially phenomenal hour of the phenomena that we are;_
everything in us crosses, intermingles, collides, in desperate conflict:
it is a time of diabolic or divine excitement. Let a few years pass, and
nothing in the world can make us live those hours over again. Where was
once a volcano, we perceive only a heap of blackened ashes, and
scarcely, at long intervals, will a chance meeting, a sound, a word,
awaken memory and unseal the fountain of recollection; and even then it
is only a flash; we have had but a glimpse and all has sunk back into
shadow and silence.

We find the same difficulty when we try to take note of the fiery
enthusiasms of the thirteenth century, its poetic inspirations, its
amorous and chaste visions--all this is thrown up against a background
of coarseness, wretchedness, corruption, and folly.

The men of that time had all the vices except triviality, all the
virtues except moderation; they were either ruffians or saints. Life was
rude enough to kill feeble organisms; and thus characters had an energy
unknown to-day. It was forever necessary to provide beforehand against a
thousand dangers, to take those sudden resolutions in which one risks
his life. Open the chronicle of Fra Salimbeni and you will be shocked to
find that the largest place is taken up with the account of the annual
expeditions of Parma against the neighboring cities, or of the
neighboring cities against Parma. What would it have been if this
chronicle, instead of being written by a monk of uncommonly open mind, a
lover of music, at certain times an ardent Joachimite, an indefatigable
traveller, had been written by a warrior? And this is not all; these